iBroadway

Archive for May, 2009

The Tony Awards: Positive Feedback Only

It’s no secret that more products and services are embracing  social media as a way to creatively interact with their consumer base. What might come as a surprise to marketers who are used to the one-way “conversation” of traditional forms of outreach is that–if they choose to use these new forums effectively–they are also opening themselves up to hearing points of view they might prefer to ignore.

Platforms like Facebook and Twitter are an extremely effective way to not only capture a fan base, but also to start a dialogue between your fans and the product associated with your fan page. For example, Rock of Ages (full disclosure: Art Meets Commerce runs the fan page) posts new status updates like  YouTube videos of old 80s commercials, and other similar articles to keep fans entertained and informed. Posting song lyrics, fun facts, etc. creates an instant conversation. That interaction not only occurs between fans and the show, but between fans themselves: some ask questions, others answer. The goal is to create a sense of community with the show and let people voice their thoughts and views. In addition to a lot of fun–and positive–comments about the show,  people also talk about things they didn’t like (an understudy played in the performance they saw, for instance). Although we have the opportunity to delete posts at will, we don’t. The point is to facilitate conversation, not control it.

I bring this up because I am a fan of  a lot of pages, many of them theater related. One, The Tony Awards, posts videos, links, articles, anything and everything relating to the awards and theatre. It really is a great resource. I noticed  something recently, though, that gave me pause.

Tony Awards Facebook Page

The Tony Awards page posted an update announcing that the touring companies of Jersey Boys, Legally Blonde and Mamma Mia would be performing on this year’s show (along with the currently nominated musicals). Several people commented negatively, asking why Jersey Boys would be performing once again at the Tony Awards or saying that Mamma Mia is “stupid.” All negative comments were deleted.  In my opinion, unless a commenter makes a threat, engages in hate speech or posts spam, the post  should be allowed to stand. To use social media well, you must be authentic, open and transparent. Deleting negative (but not harmful) posts sends a message to users that they are partipating in a “canned” discussion, i.e. an extended advertisement, which not everyone wants to do. This kind of Pollyana editing will, in my view,  ultimately diminish the brand and will cause users to turn away.

Rock of Ages Broadway Cast Recording

It’s official! Rock of Ages has a Broadway Cast Recording! You can pre-order it on iTunes. We were able to get in there while they were recording and tape the event and do a Live Tweet. The entire cast was at Legends studio (Whitney Houston, Mary J Blige, Kanye, Foreigner, etc) and the band KILLED it.

I’m with Hillary on this, “I can’t wait to have this in my house! I CAN’T WAIT!”

Mark Blankenship on Twitter on CNN

I just finished watching critic Mark Blankenship (The Critical Condition)  in a conversation on CNN all about Twitter,  its supersonic rise, its current pop-cultural bloat and pundit-driven imminent demise. (Full disclosure:  Art Meets Commerce and Mark are co-founders of The Critical Condition.)

It’s really fascinating to watch the rapid-fire evolution of social media that is happening all around us. Mark’s fellow commentator Pete Cashmore from mashable.com referred to something called the Gartner Hype Cycle, which describes the rise and fall of technology applications and led to some interesting discussion during the segment.

To me, it’s like living in a real-time time lapse photo. “Now they’re twittering . . . now you’re lame because you’re not . . . now you’re twittering . . . now they’re not . . . now you’re lame because you are . . . now they’re fill-in-the-blanking . . . ” You get the idea. And that whole cycle happens in about a month. Mayflies have a longer life expectancy.

What struck me most , though, was Mark’s observation that Twitter is fundamentally  antithetical to what he does at The Critical Condition, which is  devoted to criticism of popular culture. In his blog, Mark offers thoughtful analysis of everything from music to movies to advertising to books, and he does a terrific job of making the links between all of those things and the larger society that they are not only all products of, but that they are  producing. That can’t be accomplished in 140 characters.

But he does use Twitter to point followers to whatever conversation he’s facilitating on any given day, and that, to me, is the best use of a micro blog. Not as an end unto itself, but as  a means to an end, whether that’s highlighting an ongoing interaction or sowing a seed for a future interaction.

And that’s kind of a relief.  Fragmented thoughts that aren’t anchored to  more complete exchanges feel chaotic to me, like a radio that is picking up two different stations simultaneously. Discrete tweets leave me bemused, but looking at the Twitter application in a larger context shows me its place our cultural conversation. And that’s good (for me), because Twitter—or whatever the next big thing turns out to be—is here to stay.

Yahoo's New Site a Golden Opportunity?

Yahoo announced that they will be begin offering social networking elements.

“We are going to rewire the entire experience at Yahoo to make it social in every dimension,” said Ari Balogh, Yahoo’s chief technology officer. The open platform is a concept that already has been embraced by Google, Facebook and MySpace.

The new feature will give Yahoo’s roughly 500 million users greater flexibility to customize, including the ability to pick from a variety of widgets for placement just about anywhere on the site, including a personalized home page.

Will this be good for marketers and advertisers? We’ll see: I’ve gotten used to targeting ads based on interest and demographic, which works. For example, What if Betty White and Rue Mclanahan wrote a show about their relationship with Bea Arthur called Rue and Betty about Bea on Broadway.  (Hint, hint, ladies—and producers!) I want to target people with “Broadway,” “Off Broadway,” “The Golden Girls,” “Maude,” “Mary Tyler Moore,” “Bea Arthur,” etc. in their profiles and send them a hot message about the new hit show. On Facebook, I can now target users down to age and location. (Hello, 45 year old ladies in New York!) Yahoo is now making this possible, too.

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We haven’t had much luck using search ads on Yahoo: I have tried it with a few shows, but I can’t match the high ROIs I get on Facebook and Google).

Will this makeover make Yahoo a more effective place to advertise? I hope so and I will certainly let you know. Yahoo’s search, chat, music and email are already great, and if this will help me reach the audiences I want, I’m all for it.  C’mon, Golden Girls fans, get your wallets out!

Twitter Is About Leaders, Not Followers

A lot of folks new to Twitter make the mistake of assuming that beefing up one’s follower count is the entire point of the service. Truth: It means nothing.

Who could blame them? The number is prominently displayed, it’s understandably a bit of an ego boost when a new person signs on to receive your updates (let’s call it the “You Like Me, You Really Like Me” syndrome) and bigger numbers just look cooler (case in point: infinity+1). But if you’ve got something to market, it’s a big mistake to focus on this.

It’s about goals, really

If your goal is to get a ton of followers, well, that’s easy. There are dozens of services that create fake Twitter accounts to follow yours, and you can reach 10,000 followers in a couple of days without breaking a sweat. They’re reprehensible, and not worth linking to, but you can find them if that is truly your goal (and if it is, you can stop reading here).

But why the heck would that be your goal? Don’t you, uh, have something you want people to buy? Isn’t that the point? If it is, and your follower list looks remotely like this, you’re doing it wrong:

Bad twitter Practices

If you’ve got a show to market, a product to sell or a site to promote, millions of fake followers will be just as effective as never joining Twitter in the first place, and every minute you spend getting fake followers is a minute lost from focusing on the bigger picture. In Machiavellian terms, Twitter is not the end, it is the means. What you want is to cultivate a highly-interested, dedicated and engaged group of followers—real people who will interact with your brand, spread positive word of mouth, participate in contests, respond to requests to rate your stuff and vote for you in polls, and, more than anything, actually buy whatever it is you’re selling.

Lead, Don’t Follow

Rock of Ages (a Broadway client of ours) has seen incredible success from the Twitter account we created for the show. When we pose a question to our followers, we get dozens of responses. When we post a discount, we sell dozens of tickets. When we hold a contest, we get hundreds of entries. And yesterday, when we expressed (faux) outrage over being tied with Shrek The Musical on this NYTimes poll of Tony Award Nominees, the vote total in all five categories shot up dramatically (and ROA now actually leads several of the categories!). No hacking involved, simply motivating the most dedicated fans to spread the love on behalf of the show.

It’s a lot harder to build a community like that, which is why so few are doing it—especially in the marketing world where it’s relatively easy to impress clients with big numbers that mean nothing. But the payoff is real. Focus on leading, sharing, communicating, teaching and learning, and actual live people will find you and start to make your job easy.

Awards!

It’s awards season, in case you haven’t noticed, and we can’t tell you how proud we are of our wonderful clients!

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Winner 2009 Lortel Awards
Outstanding Musical
Outstanding Choregrapher: Bill T. Jones
Outstanding Costume Design: Marina Draghici

Drama Desk Award Nominations
Outstanding Musical
Outstanding Actor in a Musical: Sahr Ngaujah
Outstanding Choreographer: Bill T. Jones
Outstanding Orchestrations: Aaron Johnson and Antibalas

Drama League Nominations
Distinguished Production of a Musical
Distinguished Performance: Sahr Ngaujah

New York Magazine: Best Play 2008


Rock of Ages

TONY Award Nominations
Best Musical
Best Actor in a Musical: Constantine Maroulis
Best Direction of a Musical: Kristin Hanggi
Best Costume Design: Gregory Gale
Best Sound Design: Peter Hylenski

Outer Critics Circle Award Nominations
Outstanding New Broadway Musical
Outstanding Featured Actor in a Musical: Wesley Taylor

Drama League Nominations
Distinguished Production of a Musical
Distinguished Performance: Constantine Maroulis

Cat on a Brit Tin Roof

Cat on a Hot Tin Roof

We are so excited that the sold-out Broadway run of Cat on a Hot Tin Roof is headed to London. We’ll be handling internet marketing and spreading the word to fans that the show is coming to the UK. This marks AMC’s first West End show, and we couldn’t be more thrilled! Check out the website and join the email list!